‘Vanvaas’ strikes deep chord with businessman Vijaypat Singhania

Mumbai, Dec 10 (IANS) The team of the upcoming film ‘Vanvaas’ organised a special screening for the Indian businessman Vijaypat Singhania in the Nariman Point area of downtown Mumbai.

The film, which stars Nana Patekar and Utkarsh Sharma, explores themes of familial betrayal and personal resilience.

The film struck a deep chord with the businessman as he was ousted from his home in Mumbai by his son Gautam Singhania.

In 2015, Vijaypat Singhania sold off his entire 37% stake in Raymond Group to his younger son and then-chairman of Raymond. This was the start of a widely-publicszed and long-running feud in Singhania’s family over various matters stemming from the transfer.

Vijaypat Singhania (84), who was once a top business tycoon of one of India’s largest and most iconic textile brands rarely steps out for events.

‘Vanvaas’ is directed by Anil Sharma, who is known for ‘Gadar 2’.

Anil Sharma, who returned to the fold in 2023 with his blockbuster ‘Gadar 2’ is known to tell the stories in an old school way but packaged in a new format.

‘Gadar 2’, which starred Sunny Deol and Utkarsh, collected Rs. 686 crore worldwide, out of which a huge chunk of its collections came from India where it collected Rs. 525.7 crore. The film breathed new life into the career of Sunny Deol, who will be next seen in ‘Lahore 1947’.

2023 proved to be great year for the Deols with the Dharmendra-starrer ‘Rocky Aur Rani Kii Prem Kahaani’ turning into a superhit followed by Sunny’s ‘Gadar 2’ and Bobby Deol’s ‘Animal’.

Meanwhile, given Anil Sharma’s keen storytelling and this compelling cast, ‘Vanvaas’ goes beyond traditional drama to offer a deeply emotional journey through timeless themes. The film is produced, directed, and written by Anil Sharma, and is set for a worldwide release under Zee Studios on December 20, 2024.

–IANS

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Kapoor clan meets PM Modi on Raj Kapoor’s centenary celebrations

Mumbai, Dec 10 (IANS) The first film dynasty of Hindi cinema, the Kapoor family is currently in Delhi. The members of the family including Ranbir Kapoor, his wife Alia Bhatt, his mother Neetu Kapoor, actress Kareena Kapoor Khan, her husband Saif Ali Khan, and actress Karisma Kapoor met PM Narendra Modi in the national capital.

The family extended the invitation to PM Modi for the centenary celebration of legendary filmmaker-actor Raj Kapoor. Earlier during the day, the family was spotted at the Mumbai airport as they were clicked while leaving for Delhi.

While Ranbir Kapoor was dressed in a sharp black jodhpuri suit, Alia twined with Kareena as the former opted for a radiant red saree. Kareena donned a red and silver suit. Saif Ali Khan was seen in a white kurta, pyjama, beige jacket and red shoes. Neetu Kapoor and Karisma twinned in white and golden suits.

December 14, 2024 marks the centenary of Raj Kapoor, who is widely regarded as one of the biggest cinematic forces of India. He was born in Peshawar (present day Pakistan), and was the eldest son of actor Prithviraj Kapoor. Raj Kapoor starred in and produced many films for which he received multiple accolades, including three National Film Awards.

His films ‘Awaara’ and ‘Boot Polish’ competed for the Palme d’Or prize at the Cannes Film Festival in 1951 and 1955’s editions respectively.

The Government of India honoured him with the Padma Bhushan in 1971 for his contributions to the arts. India’s highest award in cinema, the Dadasaheb Phalke Award, was bestowed to him in 1988 by the Government of India.

He was hugely popular in the Soviet Union, and was known as Comrade Awaara in the Soviet Union.

Earlier, the International Film Festival of India, organised jointly by the National Film Development Corporation of India (under the Ministry of Information and Broadcasting) and the state Government of Goa, in Goa, honoured Raj Kapoor on his centenary, and invited Ranbir as the speaker to share anecdotes about his grandfather.

–IANS

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Cambodia bans energy drinks at schools

Phnom Penh, Dec 10 (IANS) Cambodia on Tuesday banned energy drinks at schools as the Southeast Asian country has seen a significant rise in diabetes among young people.

Deputy Prime Minister and Minister of Education, Youth and Sport Hang Chuon Naron said the move was aimed at preventing the risk of non-communicable diseases, especially diabetes, which was caused by the consumption of sugary and energy drinks.

“The consumption, distribution, sale, and advertisement of all kinds of energy drinks in and around schools’ campuses are strictly prohibited,” he said in a directive, Xinhua news agency reported.

He said the prohibition was applied to all public and private educational institutions as well as technical education institutions across the country.

Naron advised all schools to remind students of the effects of having energy drinks when they gathered for the salutation of the national flag.

He also instructed the schools to seize energy drinks from sellers in and around the schools and terminate their stall rental contracts if they defied the ban.

The prohibition came hours after Cambodian Prime Minister Hun Manet said the kingdom has reported an increase in diabetes, advising the Ministry of Education, Youth and Sport to take action to prevent the disease among students.

“Some children consume up to three cans of sugary or energy drinks a day,” he said during a groundbreaking ceremony for the University of Health Sciences Hospital in Phnom Penh.

According to Minister of Health Chheang Ra, diabetes was a major cause of mortality in Cambodia.

He said while infectious diseases were once the primary cause of death in the country, non-communicable diseases currently accounted for more than half of fatalities.

The minister said four main types of non-communicable diseases are heart disease, diabetes, cancer, and chronic respiratory disease.

–IANS

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Kalki Koechlin reunites with ex-husband Anurag Kashyap during pre-wedding festivities of his daughter

Mumbai, Dec 10 (IANS) Actress Kalki Koechlin, who is the ex-wife of Indian auteur Anurag Kashyap, reunited with the filmmaker on the occasion of his daughter Aaliyah Kashyap’s pre-wedding festivities.

Aaliyah Kashyap is tying the knot with her longtime partner Shane Gregoire in Mumbai on Tuesday. Kalki twinned with Anurag as she was seen in a dark green coloured Indian ethnic outfit as green appears to be the theme for the pre-wedding festivities.

Anurag too was seen enjoying a candid moment with the paparazzi stationed outside the venue. When the paparazzi asked him to pose in front of the venue, he joked, “Abe yaar, Hosh nahi hai mereko chaar din se (I am not in my senses for the past four days)”.

As per media reports, Shane and Aaliyah are set to tie the knot on December 11, at Bombay Club, Mahalakshmi Race Course in Mumbai. They have been dating for over four years now. The two got engaged in May last year, after which they threw an engagement bash for their loved ones in August 2023.

Kalki, who has worked with Anurag in ‘Dev.D’ and ‘That Girl In Yellow Boots’, tied the knot with the director in 2011. However, the two parted ways in 2015. Kalki has said that she and Anurag have since been good friends. She has also said that the first few years after their divorce were difficult, but that they needed time apart to learn about each other’s lives.

It was Anurag’s second marriage, he was earlier married to film editor Aarti Bajaj with whom he shares daughter Aaliyah Kashyap.

Kalki, on her part, gave birth to a daughter, Sappho, The film received a standing ovation at the Cannes Film Festival in 2023. However, the film has not been able to secure a theatrical release in India.

–IANS

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Failure of China’s ‘Zero-Covid’ policy critical lesson for future governance and public health reforms globally (IANS Analysis)

New Delhi, Dec 10 (IANS) The global community experienced extensive lockdowns nearly five years ago to combat the lethal coronavirus SARS-CoV-2, commonly referred to as Covid-19, which was initially identified in Wuhan, China, in late 2019. This pandemic resulted in approximately 6.6 million fatalities worldwide and prompted China to implement a stringent ‘Zero-Covid’ policy aimed at controlling the virus’ spread.

During the first wave, this approach led to over 60,000 deaths within China. Although the policy initially appeared effective, its prolonged enforcement has had detrimental effects on the nation’s socio-economic landscape and public health, consequences that China has yet to fully address.

The execution of this ‘Zero Covid’ strategy by the Chinese Communist Party (CPC) ultimately catalysed the White Paper protests in late 2022, which expressed widespread discontent with the oppressive conditions citizens faced.

Therefore, it is crucial to examine the implications and shortcomings of China’s ‘Zero-Covid’ policy comprehensively.

In August 2020, China implemented its ‘Zero-Covid’ policy to manage local Covid-19 transmissions while aiming to minimise disruptions to the nation’s socio-economic stability. This strategy involved early detection through regular PCR testing and stringent regulations requiring individuals to maintain a ‘normal’ Covid profile, which included presenting negative test results to access public facilities.

Those identified as potential cases were subjected to extended quarantines in government-supervised facilities. Additionally, movement and communication faced rigorous restrictions, with the government monitoring citizens’ mobile phones.

The policy’s aggressive nature was evident in the complete lockdowns of buildings, communities, and even entire cities upon identifying a single potential case.

While many countries began easing lockdown measures, China maintained its strict adherence to the ‘Zero-Covid’ approach. Initially, this swift response garnered praise for safeguarding vulnerable populations and preventing the introduction of new Covid variants from abroad, allowing citizens time to prepare for the pandemic. The ‘Zero-Covid’ policy was largely portrayed as a testament to Xi Jinping’s effective leadership compared to Western responses, fostering public compliance and contributing to its initial success.

However, the subsequent socio-economic crisis revealed that the policy presented more challenges than benefits.

Extended lockdowns and frequent mass testing significantly disrupted daily life and increased the financial burden on the government. Reports of shortages of essential supplies, including food and medical resources, emerged as individuals endured forced quarantines, exemplified by the notorious midnight quarantine in Xi’an.

Furthermore, the overextension of this policy resulted in severe economic repercussions such as sluggish GDP growth, a housing crisis, business closures, and a concerning rise in youth unemployment. The socio-economic distress stemming from movement restrictions and inadequate supplies due to Beijing’s stringent measures also led to significant psychological distress among the population.

Chinese citizens, increasingly disenchanted with the two-year-long ‘Zero-Covid’ policy, have started to publicly voice their dissatisfaction, exemplified by the Sitong Bridge protest in October 2022.

A tragic fire in an apartment building in Urumqi the following month ignited widespread protests against the Chinese government and Xi Jinping’s highly touted ‘Zero-Covid’ strategy. The building that burned had its fire escape doors locked due to over 100 days of government-imposed quarantine, despite the regional capital not experiencing any significant virus outbreaks.

Social media highlighted the government’s inaction during this incident, showcasing fire trucks unable to approach the flames. Consequently, residents of Urumqi took to the streets in protest, which soon evolved into a nationwide movement led by youth known as the White Paper protests.

Demonstrators displayed blank sheets of A4 paper, symbolising government censorship regarding freedom of expression and assembly. Their grievances extended beyond the ‘Zero-Covid’ policy to encompass broader concerns about increasing authoritarianism and surveillance by the government. Slogans were directed against the Communist Party of China (CPC) and Xi Jinping, demanding their resignation.

Thus, the Urumqi fire incident acted as a catalyst for the White Paper protests, reflecting public dissent against the ‘Zero-Covid’ policy and calls for more extensive political reforms in China.

The government’s response to the silent protests involved a heavy-handed police crackdown and widespread detentions. Additionally, the authorities addressed dissent regarding Xi Jinping’s ‘Zero-Covid’ policy through the censorship of protest coverage in state media.

Throughout the duration of the ‘Zero-Covid’ policy, state-controlled media in China has consistently practised censorship.

Notably, Dr Li Wenliang, an ophthalmologist from Wuhan who became known as the ‘whistleblower’ of the virus, faced accusations of “making false comments” when he attempted to alert others about the deadly virus in December 2019.

Following his death, there was a significant public outcry on social media platforms, often referred to as the Wailing Wall, which was routinely censored by the government. Prominent journalists and medical professionals who voiced their opinions against the government’s ‘Zero-Covid’ policy were similarly silenced.

The government further curtailed investigations and halted the publication of data related to Covid outbreaks and fatalities, disseminating inaccurate scholarly findings that were later retracted upon exposure. As global criticism mounted concerning China’s pandemic management, new narratives emerged. Censorship extended beyond data publication to encompass any negative reporting on the ‘Zero-Covid’ policy or expressions of dissent, including those seen during the Wailing Wall, Sitong Bridge protest, and White Paper protests.

The White Paper protests ultimately led to China’s sudden discontinuation of its two-year-long ‘Zero-Covid’ policy in December 2022, leaving citizens to navigate the aftermath on their own, which exacerbated public suffering.

What Xi Jinping had termed a ‘people’s war against Covid’ resulted in a lack of strategic planning, culminating in a significant surge in cases. It is widely believed that the strict and overextended ‘Zero-Covid’ measures, combined with China’s refusal to import effective vaccines and a lackadaisical approach to domestic vaccination efforts, contributed to the low infection rates during lockdowns but also resulted in insufficient natural immunity among the population compared to other countries.

The failure of the ‘Zero-Covid’ policy, along with the ensuing social unrest, serves as a critical lesson for future governance and public health reforms globally, highlighting the necessity to avoid replicating China’s approach.

–IANS

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123 regular Ayush, 221 e-Ayush visas issued to foreigners in one year: Centre

New Delhi, Dec 10 (IANS) About 123 regular Ayush visas and 221 e-Ayush visas have been issued to foreigners seeking treatment in India, between July 2023 and December 2024, said the Union government on Tuesday.

During the same period, 17 e-Ayush attendant visas have also been issued, said Union Minister of State (Independent Charge) for Ayush Prataprao Jadhav in a written reply in Rajya Sabha.

On July 27, 2023, the Government introduced a separate category of Ayush Visa for foreigners visiting India for availing treatment under the Ayush system of medicine.

Ayush Visa is available under four sub-categories namely: Ayush visa; Ayush attendant visa; e-Ayush visa and e-Ayush attendant visa.

An Ayush Visa is granted to a foreigner whose sole purpose is to seek treatment through Ayush systems.

“A total of 123 regular Ayush Visa, 221 e-Ayush Visa and 17 e-Ayush Attendant Visa have been issued till December 4,” MoS Jadhav said.

The Ministry of Health and Family Welfare also has launched an official portal for Medical Value Travel (MVT), which is the Advantage Healthcare India portal.

The “one-stop” portal aims to facilitate information for those who want to avail medical treatment in India from abroad.

The Government aimed to sensitise the stakeholders like Ayush facility providers and others involved in MVT.

As part of it, the government organised the Ayush Medical Value Travel Summit 2024 in September in Mumbai to boost India’s position in Medical Value Travel (MVT) by integrating traditional Indian systems of medicine with modern healthcare systems.

The theme was ‘Global Synergy in Ayush: Transforming Health and Wellness through Medical Value Travel’.

Meanwhile, MoS Jadhav also informed that the government has adopted a strategy of co-location of Ayush facilities at Primary Health Centres (PHCs), Community Health Centres (CHCs), and District Hospitals (DHs).

It will enable “the choice to the patients for different systems of medicines under a single window”, the MoS said.

–IANS

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Siddharth on landslide success of Allu Arjun-starrer ‘Pushpa: The Rule’: No big deal

Mumbai, Dec 10 (IANS) Actor Siddharth, who is known for his work in ‘Rang De Basanti’, ‘Jigarthanda’ and others, does not approve of the recently released Allu Arjun-starrer ‘Pushpa: The Rule’.

A clip from Siddharth’s recent interview has gone viral on social media in which the actor can be heard comparing the Allu Arjun-starrer to the roadside construction done by JCB machines.

He told the Tamil YouTuber Madan Gowri, “That’s all marketing. It’s not a big deal to gather a crowd in India. You bring a JCB for construction and crowds will gather automatically. So it’s not a big deal getting a crowd in Bihar. They (Pushpa 2) had a song and a film so OK. In India, there’s no connection between gathering a large crowd and quality”.

He further mentioned, “If that was the case, then all the political parties would be winning. In our days, these crowds used to be about getting biryani and a quarter packet (alcohol)”.

The actor was referring to the chaos erupted in Patna’s historic Gandhi Maidan on November 17, where a massive crowd drew in to catch a glimpse of the film’s lead actors Allu Arjun and Rashmika Mandanna who were in the city for the promotion of their film.

Meanwhile, ‘Pushpa: The Rule’, which was released on December 5, is racing on the box-office with the downforce of fan adulation and the legacy built by the film’s predecessor ‘Pushpa: The Rise’ which was released in December 2021.

‘Pushpa: The Rule’ picks up from where ‘Pushpa: The Rise’ ended. It sees the Telugu superstar Allu Arjun reprising his titular role.

Prior to its release, ‘Pushpa: The Rise’ just had a cold poster launch as the Indian cinema was struggling to get back on track with its wobbly feet owing to months of lockdown and slowing down of the economy following the devastating second wave of the Covid-19 pandemic in India with close to half a million casualties.

‘Pushpa: The Rule’ has so far collected Rs 880 crore worldwide.

–IANS

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Diagnostic platform Redcliffe Labs posts nearly Rs 250 crore loss in FY24

New Delhi, Dec 10 (IANS) Noida-based online diagnostic platform Redcliffe Labs has registered around Rs 250 crore loss in FY24, as its return on capital employed (ROCE) reached -544.68 per cent in the last fiscal year.

The company’s EBITDA margin stood at -57.55 per cent and on a unit basis, Redcliffe Labs spent Rs 1.6 to earn a rupee in FY24, as per its financials.

There was a substantial increase in laboratory test charges and depreciation costs which grew by 62.2 per cent and 3 times, respectively.

As per TheKredible data, Redcliffe Labs has secured $113 million funding to date, including from Leapfrog Investments.

Meanwhile, Redcliffe’s revenue from operations went up 11 per cent to Rs 348.38 crore in FY24 from Rs 313.86 crore in FY23. Its total income stood at Rs 353 crore in the last financial year.

The company’s total expenses stood at Rs 556.16 crore in FY24, from Rs 647.30 crore in FY23.

In September, it secured $42 million in a Series C funding round. IFU, Denmark’s Investment Fund for Developing Countries, led the funding round with $20 million, followed by existing investor LeapFrog Investments with $15 million. The remaining capital was committed by existing shareholders HealthQuad and Spark Growth Ventures.

According to Aditya Kandoi, Founder and CEO, Redcliffe Labs, “our aim is to democratise access to high-quality, affordable, accurate diagnostics for every Indian, with a particular focus on the underserved populations in Tier II and III cities”.

In FY24, Redcliffe clocked cash and bank balances of Rs 15.87 crore and had current assets worth Rs 89.64 crore.

Its services are available in more than 220 cities through its network of over 80 advanced labs powered by 2,000+ collection centres and home collection services, according to the company.

–IANS

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Divyenndu talks about mutual respect with Pratik Gandhi

Mumbai, Dec 10 (IANS) Actor Divyenndu, who is receiving a lot of positive response to his recently released streaming movie ‘Agni’, has heaped praise on his co-actor Pratik Gandhi.

The actor said that they both have mutual respect for each other since they come from theatre backgrounds.

Recalling their first meeting, Divyenndu shared, “It all started with Agni. We shot Agni first and then moved on to Madgaon Express. From the moment Pratik and I met on the set, there was an instant connection. Both of us come from theatre backgrounds, so there was a sense of mutual respect and understanding right from the start”.

This shared respect, combined with their easy rapport, translated seamlessly into their performances, even as their characters clash in the film.

‘Agni’ marks India’s first cinematic portrayal of the life and heroism of firefighters, serving as a tribute to their fearless spirit, honour, and sacrifices. The film is set against the backdrop of a city plagued by a mysterious series of fires, the film follows Vitthal and Samit as they reluctantly join forces to uncover the source of the escalating crisis.

Through its gripping narrative and emotionally charged moments, the film delves into Vitthal’s personal battle for respect within his community and family but also showcases the dramatic stakes of firefighting.

“Our characters are at odds on-screen, but it is important to have a secure and grounded actor like Pratik Gandhi opposite me who made all the difference. He is such a wonderful person and actor, with no ego or baggage. Working with him was a lot of fun. We share an effortless bond. In fact, as individuals, he and I got along so well that it made the entire process much easier”, he added.

‘Agni’ is streaming on Prime Video.

–IANS

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